1 A Crooked Road Scott 4:11 2 The Day Before Thanksgiving Scott 4:16 3 Long Wide Open Road Scott 5:01 4 Alton Air Scott 0:32 5 A Father's Song Scott, Scott 3:51 6 Take Me Back to Yesterday Scott 4:02 7 Pester Lester Scott 1:28 8 Candles in the Rain (Childless Mothers) Ragsdale, Scott 4:46 9 For Suzanne Scott 4:41 10 The Open Door Scott 4:07
Disc 2
1 Love's Not Through with Me Yet Scott 4:59 2 Colorado Scott 6:17 3 Where the Spirit Meets the Bone Scott 4:37 4 Some Other Time Scott 0:53 5 Snow Queen and Drama Llama Scott 4:51 6 Tonight I'm Missing You Scott 4:28 7 Oh Sweet Longing Scott 6:53 8 Willow Creek Scott 2:01 9 This Time 'Round Chapman, Scott 3:44 10 This Beggar's Heart Scott 4:53
'A Crooked Road'
I walk a crooked road to get where I am going To get where I am going I must walk a crooked road And, only when I’m looking back I see the straight and narrow I see the straight and narrow when I walk a crooked road
I sing a lonesome song to anyone who’ll listen To anyone who’ll listen I will sing my lonesome song And when I hear you singing too, the sorrow sounds hopeful The sorrow sounds so hopeful when I sing my lonesome song
And a lonesome song will be my true companion When all else has abandoned for singing of their own And a lonesome song will fill my days with gladness Make joy out of sadness when I sing my lonesome song to you
I love with all my heart there is no way of stopping I have no way of stopping I just love with all my heart Through the broken and the beautiful the bad news and the good news The bad news and the good news is I love with all my heart
And a loving heart will be my true companion When all else has abandoned for loving of their own And a loving heart will fill my days with gladness Make joy out of sadness when I bring this loving heart to you
I long to be a happy man in this life that I am given In this life that I am given I long to be a happy man And when the noise turns to stillness I see I have the makings I see I have the makings to be one happy man
And a happy man will be my true companion When all else has abandoned for happy of their own And a happy man will fill my days with gladness Make joy out of sadness when I show this happy man
And a happy man will be my true companion When all else has abandoned for happy of their own And a happy man will fill my days with gladness Make joy out of sadness when I show this happy man to you
I walk a crooked road to get where I am going To get where I am going I must walk a crooked road And, only when I’m looking back I see the straight and narrow I see the straight and narrow when I walk a crooked road
Tish Hinojosa Leticia Hinojosa Dec 6, 1955 San Antonio, TX
Genres Country Occupations Singer-songwriter Instruments Vocals, guitar Years active 198x-present Labels MCA/Curb, A&M, Rounder, Valley Entertainment
Her releases explore a wide variety of styles: from the perfect balance of country, folk and latino elements on the award-winning Culture Swing (1992) or the collection of Mexican love ballads and border songs on all-Spanish Frontejas (1995), to the delicate mysticism of Dreaming From The Labyrinth (1996) or the joyful optimism on her bilingual children’s record Cada Niño/Every Child (1996).
Culture Swing September 16, 1992
1 By the Rio Grande Hinojosa 3:36 2 Something in the Rain Hinojosa 5:02 3 Bandera del Sol (Flag of theSun) Hinojosa 3:29 4 Every Word Hinojosa 4:06 5 Louisiana Road Song Hinojosa 3:13 6 Corazón Viajero [Wandering Heart] Hinojosa 3:34 7 Drifter's Wind Pyle 3:08 8 The Window Hinojosa 4:21 9 In the Real West Hinojosa 2:46 10 Chanate, el Vaquero (Chanate, the Cowboy) Hinojosa 3:47 11 San Antonio Romeo Hinojosa 2:44 12 Closer Still Hinojosa 4:00
SOMETHING IN THE RAIN By Tish Hinojosa
Mom and dad have worked the fields, I don't know how many years I'm just a boy but I know how, and go to school when work is slow We have seen our country's road, Bakersfield from Illinois And when troubles come our way, oh yeah, I've seen my daddy pray. There's something wrong with little sister, I hear her cryin' by my side Mama's shaking as she holds her; we try to hold her through the night And mom says close you eyes mijito, dream of someplace far from here Like the pictures in your schoolbooks, someday you can take us there There must be something in the rain I'm not sure what that means Abuelita talks of sins of man, of dust that's in our hands There must be something in the rain well what else could cause this pain Those airplanes cure the plants so things can grow Oh no, it must be something in the rain Little sister's gone away. Mama's workin' long again And me I think I understand about our life about our land Well, talkers talk and dreamers dream; I will find a place between I'm afraid but I believe that we can change these hurting fields Cause there's something in the rain but there's more here in our hands 'Buelita's right about the sins of man who's profits rape the land And the rains are pouring down from the growers to the towns And until we break the killing chains There's something in the rain
In The Night
Runnin', burning' And the lonesome whistle blows In the night, In the night There's a border moon a risin' I can hear that white freight line Lyin', cryin' Like and earth bound eagle yearnin' In the night, In the night Wanna leave the tears that bind me On a rusty rail road sign Chorus: I've been hearing stories I've been sittin' scared By the mood above denying I could ever dare Board a broken angel On a one way track Faster than the devil trailin' Trying to take me back Take it, make it All along a freedom flight In the Night, In the Night No more lyin' dreamin' cryin' wishin' I had wings to fly
In expressing his joy at the chance to produce a Jason D. Williams album, Todd Snider says, "I'd been waiting 15 years on this phone call." The Arkansas piano player retorts, "I'd been waiting 15 years to make this phone call." Snider had to put on his producer hat right away. After a day of working on the cover songs that Williams had prepared, the session was not working. So the duo started writing on the fly. Williams says, "All of a sudden, our agenda went to hell and we were just creating in there. Todd made me feel like it was ok to reach down and sing something crazy. It was just short of amazing and magical."
Killer Instinct was recorded at Blackbird Studios in Nashville, TN and mixed at the famous Ardent Studios in Memphis, TN. Dan Baird, Keith Christopher, Richard Leo Johnson and Randy Cox also joined in on the fun
1. Like Jerry Lee 2. Big Red Green One 3. If You Ever Saw a Baby With It's Pud 4. You Look Like I Could Use a Drink 5. Wine So-Dee-O-Dee 6. Daddy's Lil' Punkin 7. White Trash 8. What Am I Gonna Do 9. Really Really Pretty 10. Sanctified 11. Mr. Jesus 12. Crippled Down 13. Yes I Can 14. To Hell With You
Don´t Get None Onya'
1. Nadine 2. Portland Water 3. Rock Island Line 4. There's a Man Down There 5. Standing On a Rock 6. Okie from Muskogie 7. Great Balls of Fire 8. I'll Fly Away 9. Will the Circle Be Unbroken 10. Crazy Arms 11. St. Louis Blues 12. Jason D Medley
Wild 1993
1. Wild 2. Caldonia 3. Pianimal 4. Mr. Charlie 5. Red Hot 6. My New Zoot Suit 7. Tubular Bells 8. Goin' Down to Memphis 9. Dig that Boogie
Rockin'
1. High School Confidential 2. House of Blue Lights 3. Mean Woman Blues 4. Personality 5. Shake, Rattle & Roll 6. Theme Song #2 7. Renee’s Song 8. Bill Bailey 9. Rockin’ My Life Away 10. Piano Theme #8
Enthusiastic, Reckless, Stormy, Rock & Roll in its natural state ... This explains why the Kansas City Star Pronounced Jason D. Williams as "the past and future of rock & roll." The Beacon Journal dubbed him as "The worlds greats piano player." Most importantly this reminds you of why you got into rock & roll in the first place, to get a little wild.
After seeing a live show there will be no doubt why fans and critics alike agree with that summation of the dynamic piano player from Memphis. Jason D. has the same musical innovation and on the edge attitude as Jerry Lee and Elvis.
Jason's' style is difficult to describe. From Classical to Rockabilly to County to Jazz and on to Rock & Roll, Jason D. adapts to each different concert setting he performs.
Television cameras love Jason's energy and style. He has appeared on such shows as MTV's News at Night, MTV The Week in Rock, Pat Sajak Show, LIVE! on ABC, Regis and Kathie Lee Show, VH1, VH1's This is Country, Crook & Chase, Nashville Now, Music City Tonight, Entertainment Tonight, that's just to name a few.
Jason is on the road over 200 days a year playing to crowds in every setting, from clubs to amphitheaters and many corporate sponsored events. Jason D. is unique, talented and full of raw energy. This is one act you have to see and hear to believe.
Product Description Jason D. Williams has spent a lifetime behind the piano connecting with country and rock 'n' roll greats while creating a persona that's 100% original. That rock 'n' roll history of Memphis looms large in Williams' world. He recorded for Sun Records, the early label home of Elvis Presley, Jerry Lee Lewis and the man who first took Williams on the road, rockabilly legend Sleepy LaBeef. Now, after decades of being celebrated for his take-no-prisoners approach to performing country and rock 'n' roll penned by others, Williams has added a new element to his artistry, songwriting. Early in 2010, Williams, who recorded for RCA and Sun Records in the 1980s and '90s, was set to return to the recording fold with Todd Snider as his producer. The two had discussed the covers they would tackle and tape had started to roll when they decided to try something different. Snider has become entranced by Williams' ability to create poetry on the spot and thought his words could easily become lyrics. And from several mad, inspired weeks of recording in Nashville and Memphis, TN the 14-track album, Killer Instincts, was born. Williams tours up to 200 shows per year. Having a visual appeal on par with his musical talent has led to numerous television appearances, among them 'Regis and Kathie Lee.' 'Nashville Now,' 'Entertainment Tonight' and various shows on MTV and VH1. A wild man onstage, he has been compared to Jerry Lee Lewis so often that rumors started in Memphis that he was the Killer's son. The influence of Lewis comes through in his high-energy performances, Williams says, but his songs get him to a different place. As he says, 'It's Jerry Lee Lewis meets Jackson Pollock and Jerry Lee Lewis meets Joe Namath.'
lso known as "The King of Rock 'N Soul" "Big Soul" Born March 21, 1940[1] Philadelphia, Pennsylvania, U.S. Died October 10, 2010 (aged 70) Schiphol, Netherlands Genres Blues, gospel, R&B, soul Occupations Preacher, singer Instruments Vocals Years active 1955–2010 Labels Kenwood, Atlantic, Sequel, Fat Possum, ANTI-, Shout! Factory, E1 Music Website http://www.thekingsolomonburke.com
Don´t Give Up on Me 2002 Alucinante regreso. Estelar.
Released July 23, 2002 Recorded Feb 25 - 28, 2002 Genre R&B/Soul Length 51:35 Label Fat Possum Records/ANTI- Producer Joe Henry
Solomon Burke - vocals, piano forte, electric guitar Chris Bruce - electric guitar David Palmer - piano forte, keyboard David Piltch - bass guitar Jay Bellerose - drums, percussion Bennie Wallace - tenor saxophone Niki Harris - backing vocals Jean McClain - backing vocals Rudy Copeland - organ Daniel Lanois - electric guitar Clarence Fountain – backing vocals Jimmy Carter – backing vocals Bishop Billy Bowers – backing vocals Ben Moore – backing vocals Eric McKinnie – backing vocals Caleb Butler – backing vocals Joey Williams – backing vocals Tracy Pierce – backing vocals
1 Don't Give Up on Me Lindsey, Penn, Whitsett 3:45 2 Fast Train Morrison 5:43 3 Diamond in Your Mind Brennan, Waits 4:24 4 Flesh and Blood Henry 6:07 5 Soul Searchin' Paley, Wilson 3:59 6 Only a Dream Morrison 5:09 7 The Judgement Costello, ORiordan 3:30 8 Stepchild Dylan 5:10 9 The Other Side of the Coin Lowe 3:46 10 None of Us Are Free Mann, Russell, Weil 5:29 11 Sit This One Out Purnell 4:33
Nashville 2006 Valley of Tears. Wonderful! Sorprendente.
1 That's How I Got to Memphis Hall 3:20 2 Seems Like You're Gonna TakeMe Back Lauderdale 3:14 3 Tomorrow Is Forever Parton 2:52 4 Ain't Got You Springsteen 4:08 5 Valley of Tears Welch 4:28 6 Honey Where's the Money Gone Kennerley, Tashian 3:27 7 Atta Way to Go Williams 3:07 8 Millionaire Welch 4:14 9 Up to the Mountain Griffin 3:28 10 Does My Ring Burn Your Finger Miller, Miller 3:45 11 Vicious Circle Amos 3:06 12 We're Gonna Hold On Jones, Montgomery 3:28 13 You're the Kind of Trouble Kennerley, Wright, Wright 2:54 14 'Til I Get It Right Henley, Lane 3:35
1 Oh What a Feeling Bradley, Mitchell, Randolph 3:55 2 Everything About You Burke 3:38 3 Dreams Burke, Mitchell 6:15 4 Nothing's Impossible Hohenberg, Mitchell 3:17 5 It Must Be Love Hohenberg, Mitchell 5:02 6 You Needed Me Goodrum 3:45 7 Say You Love Me Too Mitchell 3:23 8 You're Not Alone Burke 4:03 9 New Company Bradley, Mitchell 3:11 10 When You're Not Here Mitchell, Randle 4:28 11 The Error of My Ways Burke, Mitchell 5:08 12 I'm Leavin' Mitchell, Randolph 3:32
Don't Give Up on Me Lindsey, Penn, Whitsett 3:45
If I fall short, if I don't make the grades/ If your expectations aren't met in me today/ There is always tomorrow, or tomorrow night/ Hang in there baby, sooner or later/ I know ill get it right,
Please, don't give up on me/ Oh please don't give up on me/ I know its late, late in the game/ But my feelings, my true feelings/ Haven't changed/ Here in my heart/
I know, I know I was wrong, wrong wrong, wrong, wrong, wrong/ I'd like to make a mends for the love that I never, ever, ever, ever shown/ Just don't give up on me, every word is true/
I'll give you my everything, all of my love,all of my love, all of my love love love/ Just don't give up on me/ Oh please, please, please/ Don't give up on me.
I don't want you to/ I know its late, but wait, please, please, please, please/ Don't give up on me/ Promise, will you promise, will you promise me/ Please don't give up on me/
We can make it if we try/ I'm gonna hold on, hold on with me/ And don't give up on me, oh-ooh, -oohohoooh -baby/ Oh baby, Oh baby, please, don't-give-up-on-me/ Whatever you do, we gonna make it, gonna make it through/ Don't you give up on me, please, please, please.... Promise me/ Don't-give-up-on-me.
Charlie Zahm: "Medley: Rebel Soldier / Dixie Land" Música celta y americana antigua. Barítono.
Guitarras: Charlie's favorite guitars are his Martin D-45, his Larrivée J-10, his Taylor 955 jumbo 12-string and his Taylor W-15. He uses nearly all in concerts, all are "road guitars." Charlie also uses his Taylor 955 12-string whenever he needs the gorgeous rich tone, and it's more playable than any other 12-string Charlie has tried.
Americana 2002
01 - The Good Olde Colony Days 02 - Come All Ye Fair and Tender Ladies 03 - Blacksmith of Brandywine 04 - Blow Ye Winds in the Morning 05 - Poor Wayfaring Stranger 06 - All Quiet Along the Potomac Tonight 07 - Tenting Tonight-Battle Hymn of the Replublic 08 - Roll, Alabama, Roll 09 - Lorene 10 - Cumberland Gap 11 - Sweet Sunny South-Dixie's Land 12 - The Meeting is Over
Best of The Early Years 2009
1. The Minstrel Boy ( 3:57) Thomas Moore* 2. Rise and Follow Charlie (4:24) Mrs. Norman MacLeod 3. Skye Boat Song (6:00) Sir Harold Boulton/ Traditional air 4. Spanish Lady (3:14) Traditional 5. Annie Laurie (3:44) William Douglas 6. Johnny I Hardly Knew Ye (5:54) Traditional 7. Jigs: The Butterfly/Morrison's/Snow on the Windowsill (3:26) Traditional 8. Bells of Rhymney (4:00) Idris Davies/Pete Seeger* 9. Rolling Hills of the Borders (3:52) Matt McGinn 10. Dumbarton's Drums (3:56 ) Traditional 11. Hills of Glenshee (4:15) Traditional 12. Galway Races (3:04) Traditional 13. Wild Mountain Thyme (4:00) Traditional 14. Jigs: Boys of the Town/Langstrom's Pony/The Kesh (2:48) Traditional 15. Roddy McCorley (3:20) Ethna Carbery 16. Reels: The Convenience/The Staten Island (2:42) Traditional 17. Broom o the Cowdenknowes (4:26) Traditional 18. The Parting Glass (3:36) Traditional*
* previously unreleased recording
Charlie Zahm is one of the most popular soloists at Celtic music festivals, Maritime and Early American music events anywhere east of the Mississippi. With a baritone voice some have described as "coming along once in a generation," Charlie has become one of the most successful performers on the Celtic festival circuit, weaving magical moments of Scottish and Irish history for the listener and viewer, with passion for the performance and a chosen repertoire pleasing to all members of the family. A master of the guitar as well, Charlie brings an authentic love and respect for the music he sings—and with dashes of humor and a light in his eyes, he will draw you into the stories of his songs!
LORENA
Writers Rev. Henry DeLafayette Webster & Joseph Philbrick Webster (no relation to each other) written in 1857
Key F
(F) THE YEARS CREEP SLOWLY (F7) BY, LO - (Bb) RE - NA,
THE (C7) SNOW IS ON THE GRASS A - (F) GAIN;
THE SUN'S LOW DOWN THE (F7) SKY, LO - (Bb) RE - NA,
THE (C7) FROST GLEAMS WHERE THE FLOWERS HAVE (F) BEEN.
BUT MY (Dm) HEART BEATS ON AS WARMLY (Am) NOW,
AS (A7) WHEN THE SUMMER DAYS WERE (Dm) NIGH; (C7)
THE (F) SUN CAN NEVER (F7) DIP SO (Bb) LOW,
OR (C7) DOWN AFFECTIONS CLOUDLESS (F) SKY.
A HUNDRED MONTHS HAVE PASSED, LORENA, SINCE LAST I HELD THAT HAND IN MINE, AND FELT THE PULSE BEAT FAST, LORENA, THOUGH MINE BEAT FASTER FAR THAN THINE. A HUNDRED MONTHS, 'TWAS FLOWERY MAY, WHEN UP THE HILLY SLOPE WE CLIMBED, TO WATCH THE DYING OF THE DAY, AND HEAR THE DISTANT CHURCH BELLS CHIME.
WE LOVED EACH OTHER THEN, LORENA, MORE THAN WE EVER DARED TO TELL; AND WHAT WE MIGHT HAVE BEEN, LORENA, HAD BUT OUR LOVINGS PROSPERED WELL. BUT THEN, 'TIS PAST, THE YEARS ARE GONE, I'LL NOT CALL UP THEIR SHADOWY FORMS; I'LL SAY TO THEM, "LOST YEARS, SLEEP ON! SLEEP ON! NOR HEED LIFE'S PELTING STORMS."
THE STORY OF THAT PAST, LORENA, ALAS! I CARE NOT TO REPEAT, THE HOPES THAT COULD NOT LAST, LORENA, THEY LIVED, BUT ONLY LIVED TO CHEAT. I WOULD NOT CAUSE E'EN ONE REGRET TO RANKLE IN YOUR BOSOM NOW; FOR "IF WE TRY, WE MAY FORGET," WERE WORDS OF THINE LONG YEARS AGO.
YES, THESE WERE WORDS OF THINE, LORENA, THEY BURN WITHIN MY MEMORY YET; THEY TOUCHED SOME TENDER CHORDS, LORENA, WHICH THRILL AND TREMBLE WITH REGRET. 'TWAS NOT THY WOMAN'S HEART THAT SPOKE; THY HEART WAS ALWAYS TRUE TO ME: A DUTY, STERN AND PRESSING, BROKE THE TIE WHICH LINKED MY SOUL WITH THEE.
IT MATTERS LITTLE NOW, LORENA, THE PAST IS IN THE ETERNAL PAST; OUR HEADS WILL SOON LIE LOW, LORENA, LIFE'S TIDE IS EBBING OUT SO FAST. THERE IS A FUTURE! O, THANK GOD! OF LIFE THIS IS SO SMALL A PART! 'TIS DUST TO DUST BENEATH THE SOD; BUT THERE, UP THERE, 'TIS HEART TO HEART.
Words by Rev. Henry DeLafayette Webster, music by Joseph Philbrick Webster (no relation to each other). Written in 1857 This is a pre civil war song which achieved wide popularity during the conflict. For some reason, the song became a particular favorite of the Confederancy and, in time, came to be identified with the Southern cause. Hundreds of Southern girls were named for the song's heroine, while several pioneer settlements and even a steamship proudly bore the name. One Confederate veteran claimed to have "heard it more during the war than any other song."
J.P. Webster, creator of the melody, was a collaborator of S. Fillmore Bennett, with whom he wrote several Civil War songs, including "The Irish Volunteer" and "The Negro Emancipation Song." Their best-known work, however, was one of the most popular hymns of all time, "Sweet By and By," 1868.
J.P. Webster also wrote, "I'll Twine 'Mid the Ringlets" 1860, which became, "Wildwood Flower."
The Rebel Soldier (Southern Appalachian folk song) by Anonymous
Oh, Polly! Oh, Polly! It's for your sake alone, I left my dear old father, my country and my home, I left my dear old mother to weep and to mourn - I am a Rebel Soldier and far from my home!
It's grape-shot and muskets and the cannon lumber loud, There's many a mangled body, with dew for it's shroud, There's many a mangled body left on the field's alone - I am a Rebel Soldier and far from my home!
You'll drink your fine brandy, and I will drink my wine, You can drink to your true love, and I will drink to mine, You can drink to your true love and I'll lament and mourn - I am a Rebel Soldier and far from my home!
I'll eat when I'm hungry, I'll drink when I'm dry, If the Yankees don't kill me, I'll live until I die, If the Yankees don't kill me and cause me to mourn - I am a Rebel Soldier and far from my home!
I'll build me a castle on some green mountain high, So, I can see Polly as she comes passing by, So, I can see Polly and help her to mourn - I am a Rebel Soldier and far from my home! I am a Rebel Soldier and far from my home!
Afinaciones: D Menor: DADFAD (grandísimo) E Menor: EBEGBE Open G: DGDGBD
Today, 1965 Genial voz en falseto, maravilloso fingerpicking y un piano.
Skip James - Crow Jane
Crow Janie, Crow Janie, Crow Jane Don't you hold your head high Someday baby, you know You got to die You got to lay down an - You got to die, you got to -
You know, I wanna buy me a pistol Wants me forty rounds of ball Shoot Crow Jane, just to see her fall She got to fall, she got to - She got to fall, she got to-
That's the reason I begged, Crow Jane Not to hold her head, so high Someday baby, you know You got to die You got to lay down an -
When I dug her grave With a silver spade Ain't nobody gon' take My Crow Jane place You can't take her place No, you can't take her -
That's the reason I begged, Crow Jane Not to hold her head, too high Someday baby, you know You got to die You got to lay down an -
You know, I let her down With a golden chain
Skip James - Devil Got My Woman
I'd rather be the devil, to be that woman man I'd rather be the devil, to be that woman man Aw, nothin' but the devil, changed my baby's mind Was nothin' but the devil, changed my baby's mind
I laid down last night, laid down last night I laid down last night, tried to take my rest My mind got to ramblin', like a wild geese From the west, from the west
The woman I love, woman that I loved Woman I loved, took her from my best friend But he got lucky, stoled her back again And he got lucky, stoled her back again
