Tish Hinojosa Leticia Hinojosa Dec 6, 1955 San Antonio, TX
Genres Country Occupations Singer-songwriter Instruments Vocals, guitar Years active 198x-present Labels MCA/Curb, A&M, Rounder, Valley Entertainment
Her releases explore a wide variety of styles: from the perfect balance of country, folk and latino elements on the award-winning Culture Swing (1992) or the collection of Mexican love ballads and border songs on all-Spanish Frontejas (1995), to the delicate mysticism of Dreaming From The Labyrinth (1996) or the joyful optimism on her bilingual children’s record Cada Niño/Every Child (1996).
Culture Swing September 16, 1992
1 By the Rio Grande Hinojosa 3:36 2 Something in the Rain Hinojosa 5:02 3 Bandera del Sol (Flag of theSun) Hinojosa 3:29 4 Every Word Hinojosa 4:06 5 Louisiana Road Song Hinojosa 3:13 6 Corazón Viajero [Wandering Heart] Hinojosa 3:34 7 Drifter's Wind Pyle 3:08 8 The Window Hinojosa 4:21 9 In the Real West Hinojosa 2:46 10 Chanate, el Vaquero (Chanate, the Cowboy) Hinojosa 3:47 11 San Antonio Romeo Hinojosa 2:44 12 Closer Still Hinojosa 4:00
SOMETHING IN THE RAIN By Tish Hinojosa
Mom and dad have worked the fields, I don't know how many years I'm just a boy but I know how, and go to school when work is slow We have seen our country's road, Bakersfield from Illinois And when troubles come our way, oh yeah, I've seen my daddy pray. There's something wrong with little sister, I hear her cryin' by my side Mama's shaking as she holds her; we try to hold her through the night And mom says close you eyes mijito, dream of someplace far from here Like the pictures in your schoolbooks, someday you can take us there There must be something in the rain I'm not sure what that means Abuelita talks of sins of man, of dust that's in our hands There must be something in the rain well what else could cause this pain Those airplanes cure the plants so things can grow Oh no, it must be something in the rain Little sister's gone away. Mama's workin' long again And me I think I understand about our life about our land Well, talkers talk and dreamers dream; I will find a place between I'm afraid but I believe that we can change these hurting fields Cause there's something in the rain but there's more here in our hands 'Buelita's right about the sins of man who's profits rape the land And the rains are pouring down from the growers to the towns And until we break the killing chains There's something in the rain
In The Night
Runnin', burning' And the lonesome whistle blows In the night, In the night There's a border moon a risin' I can hear that white freight line Lyin', cryin' Like and earth bound eagle yearnin' In the night, In the night Wanna leave the tears that bind me On a rusty rail road sign Chorus: I've been hearing stories I've been sittin' scared By the mood above denying I could ever dare Board a broken angel On a one way track Faster than the devil trailin' Trying to take me back Take it, make it All along a freedom flight In the Night, In the Night No more lyin' dreamin' cryin' wishin' I had wings to fly
Charlie Zahm: "Medley: Rebel Soldier / Dixie Land" Música celta y americana antigua. Barítono.
Guitarras: Charlie's favorite guitars are his Martin D-45, his Larrivée J-10, his Taylor 955 jumbo 12-string and his Taylor W-15. He uses nearly all in concerts, all are "road guitars." Charlie also uses his Taylor 955 12-string whenever he needs the gorgeous rich tone, and it's more playable than any other 12-string Charlie has tried.
Americana 2002
01 - The Good Olde Colony Days 02 - Come All Ye Fair and Tender Ladies 03 - Blacksmith of Brandywine 04 - Blow Ye Winds in the Morning 05 - Poor Wayfaring Stranger 06 - All Quiet Along the Potomac Tonight 07 - Tenting Tonight-Battle Hymn of the Replublic 08 - Roll, Alabama, Roll 09 - Lorene 10 - Cumberland Gap 11 - Sweet Sunny South-Dixie's Land 12 - The Meeting is Over
Best of The Early Years 2009
1. The Minstrel Boy ( 3:57) Thomas Moore* 2. Rise and Follow Charlie (4:24) Mrs. Norman MacLeod 3. Skye Boat Song (6:00) Sir Harold Boulton/ Traditional air 4. Spanish Lady (3:14) Traditional 5. Annie Laurie (3:44) William Douglas 6. Johnny I Hardly Knew Ye (5:54) Traditional 7. Jigs: The Butterfly/Morrison's/Snow on the Windowsill (3:26) Traditional 8. Bells of Rhymney (4:00) Idris Davies/Pete Seeger* 9. Rolling Hills of the Borders (3:52) Matt McGinn 10. Dumbarton's Drums (3:56 ) Traditional 11. Hills of Glenshee (4:15) Traditional 12. Galway Races (3:04) Traditional 13. Wild Mountain Thyme (4:00) Traditional 14. Jigs: Boys of the Town/Langstrom's Pony/The Kesh (2:48) Traditional 15. Roddy McCorley (3:20) Ethna Carbery 16. Reels: The Convenience/The Staten Island (2:42) Traditional 17. Broom o the Cowdenknowes (4:26) Traditional 18. The Parting Glass (3:36) Traditional*
* previously unreleased recording
Charlie Zahm is one of the most popular soloists at Celtic music festivals, Maritime and Early American music events anywhere east of the Mississippi. With a baritone voice some have described as "coming along once in a generation," Charlie has become one of the most successful performers on the Celtic festival circuit, weaving magical moments of Scottish and Irish history for the listener and viewer, with passion for the performance and a chosen repertoire pleasing to all members of the family. A master of the guitar as well, Charlie brings an authentic love and respect for the music he sings—and with dashes of humor and a light in his eyes, he will draw you into the stories of his songs!
LORENA
Writers Rev. Henry DeLafayette Webster & Joseph Philbrick Webster (no relation to each other) written in 1857
Key F
(F) THE YEARS CREEP SLOWLY (F7) BY, LO - (Bb) RE - NA,
THE (C7) SNOW IS ON THE GRASS A - (F) GAIN;
THE SUN'S LOW DOWN THE (F7) SKY, LO - (Bb) RE - NA,
THE (C7) FROST GLEAMS WHERE THE FLOWERS HAVE (F) BEEN.
BUT MY (Dm) HEART BEATS ON AS WARMLY (Am) NOW,
AS (A7) WHEN THE SUMMER DAYS WERE (Dm) NIGH; (C7)
THE (F) SUN CAN NEVER (F7) DIP SO (Bb) LOW,
OR (C7) DOWN AFFECTIONS CLOUDLESS (F) SKY.
A HUNDRED MONTHS HAVE PASSED, LORENA, SINCE LAST I HELD THAT HAND IN MINE, AND FELT THE PULSE BEAT FAST, LORENA, THOUGH MINE BEAT FASTER FAR THAN THINE. A HUNDRED MONTHS, 'TWAS FLOWERY MAY, WHEN UP THE HILLY SLOPE WE CLIMBED, TO WATCH THE DYING OF THE DAY, AND HEAR THE DISTANT CHURCH BELLS CHIME.
WE LOVED EACH OTHER THEN, LORENA, MORE THAN WE EVER DARED TO TELL; AND WHAT WE MIGHT HAVE BEEN, LORENA, HAD BUT OUR LOVINGS PROSPERED WELL. BUT THEN, 'TIS PAST, THE YEARS ARE GONE, I'LL NOT CALL UP THEIR SHADOWY FORMS; I'LL SAY TO THEM, "LOST YEARS, SLEEP ON! SLEEP ON! NOR HEED LIFE'S PELTING STORMS."
THE STORY OF THAT PAST, LORENA, ALAS! I CARE NOT TO REPEAT, THE HOPES THAT COULD NOT LAST, LORENA, THEY LIVED, BUT ONLY LIVED TO CHEAT. I WOULD NOT CAUSE E'EN ONE REGRET TO RANKLE IN YOUR BOSOM NOW; FOR "IF WE TRY, WE MAY FORGET," WERE WORDS OF THINE LONG YEARS AGO.
YES, THESE WERE WORDS OF THINE, LORENA, THEY BURN WITHIN MY MEMORY YET; THEY TOUCHED SOME TENDER CHORDS, LORENA, WHICH THRILL AND TREMBLE WITH REGRET. 'TWAS NOT THY WOMAN'S HEART THAT SPOKE; THY HEART WAS ALWAYS TRUE TO ME: A DUTY, STERN AND PRESSING, BROKE THE TIE WHICH LINKED MY SOUL WITH THEE.
IT MATTERS LITTLE NOW, LORENA, THE PAST IS IN THE ETERNAL PAST; OUR HEADS WILL SOON LIE LOW, LORENA, LIFE'S TIDE IS EBBING OUT SO FAST. THERE IS A FUTURE! O, THANK GOD! OF LIFE THIS IS SO SMALL A PART! 'TIS DUST TO DUST BENEATH THE SOD; BUT THERE, UP THERE, 'TIS HEART TO HEART.
Words by Rev. Henry DeLafayette Webster, music by Joseph Philbrick Webster (no relation to each other). Written in 1857 This is a pre civil war song which achieved wide popularity during the conflict. For some reason, the song became a particular favorite of the Confederancy and, in time, came to be identified with the Southern cause. Hundreds of Southern girls were named for the song's heroine, while several pioneer settlements and even a steamship proudly bore the name. One Confederate veteran claimed to have "heard it more during the war than any other song."
J.P. Webster, creator of the melody, was a collaborator of S. Fillmore Bennett, with whom he wrote several Civil War songs, including "The Irish Volunteer" and "The Negro Emancipation Song." Their best-known work, however, was one of the most popular hymns of all time, "Sweet By and By," 1868.
J.P. Webster also wrote, "I'll Twine 'Mid the Ringlets" 1860, which became, "Wildwood Flower."
The Rebel Soldier (Southern Appalachian folk song) by Anonymous
Oh, Polly! Oh, Polly! It's for your sake alone, I left my dear old father, my country and my home, I left my dear old mother to weep and to mourn - I am a Rebel Soldier and far from my home!
It's grape-shot and muskets and the cannon lumber loud, There's many a mangled body, with dew for it's shroud, There's many a mangled body left on the field's alone - I am a Rebel Soldier and far from my home!
You'll drink your fine brandy, and I will drink my wine, You can drink to your true love, and I will drink to mine, You can drink to your true love and I'll lament and mourn - I am a Rebel Soldier and far from my home!
I'll eat when I'm hungry, I'll drink when I'm dry, If the Yankees don't kill me, I'll live until I die, If the Yankees don't kill me and cause me to mourn - I am a Rebel Soldier and far from my home!
I'll build me a castle on some green mountain high, So, I can see Polly as she comes passing by, So, I can see Polly and help her to mourn - I am a Rebel Soldier and far from my home! I am a Rebel Soldier and far from my home!
Terry Cox: Drums, glockenspiel, vocals Bert Jansch: Guitar, vocals Jacqui McShee: Vocals John Renbourn: Guitar, vocals Danny Thompson: Double bass
Live album
"Market Song" (Pentangle) – 4:23 "No More My Lord" (Traditional) – 4:05 "Turn Your Money Green" (Furry Lewis) – 2:59 "Haitian Fight Song" (Charles Mingus) – 3:52 "A Woman Like You" (Jansch) – 4:06 "Goodbye Pork Pie Hat" (Charles Mingus) – 3:48 "Three Dances" – 4:57 "Brentzel Gay" (Claude Gervaise) "La Rotta" (Trad.) "The Earle Of Salisbury" (William Byrd) "Watch The Stars" (Traditional) – 3.11 "So Early In The Spring" (Traditional) – 3:37 "No Exit" (Jansch / Renbourn) – 2:22 "The Time Has Come" (Anne Briggs) – 3:14 "Bruton Town" (Traditional) – 6:27
CD Bonus tracks: "Hear My Call" – 3:48 "Let No Man Steal Your Thyme" – 2:59 "Bells" – 4:45 "Traveling Song" – 4:17 "Waltz" – 6:00 "Way Behind the Sun" – 2:59 "John Donne Song" – 3:24
Studio album
"Sweet Child" (Pentangle) – 5:15 "I Loved A Lass" (Traditional) – 2:44 "Three Part Thing" (Jansch / Renbourn / Thompson) – 2:29 "Sovay" (Traditional) – 2:51 "In Time" (Cox / Jansch / Renbourn / Thompson) – 5:09 "In Your Mind" (Pentangle) – 2:16 "I've Got A Feeling" (Pentangle) – 4:29 "The Trees They Do Grow High" (Traditional) – 3:51 "Moon Dog" (Cox) – 2:44 "Hole In My Coal" (Ewan MacColl) – 5:23
CD Bonus tracks: "Hole In My Coal" (alternate version) – 2:44 "The Trees They Do Grow High" (alternate version) – 3:52 "Haitian Fight Song" (studio version) – 4:20 "In Time" (alternate version) – 4:40
Salomon's Seal 1972
Terry Cox – drums, percussion, finger cymbals, vocals Bert Jansch – acoustic guitar, dulcimer, harmonica, banjo, vocals Jacqui McShee – vocals John Renbourn – acoustic guitar, electric guitar, sitar, banjo, recorder, vocals Danny Thompson – double bass
"Sally Free And Easy" (Cyril Tawney) – 3:55 "The Cherry Tree Carol" (Traditional. Arranged Jansch, Renbourn, Thompson, Cox, McShee) – 2:57 "The Snows" (Jansch, Renbourn, Thompson, Cox, McShee) – 3:43 "High Germany" (Traditional arr. Jansch, Renbourn, Thompson, Cox, McShee) – 3:15 "People On The Highway" (Jansch, Renbourn, Thompson, Cox, McShee) – 4:46 "Willy O' Winsbury" (Traditional arr. Jansch, Renbourn, Thompson, Cox, McShee) – 6:50 "No Love Is Sorrow" (Jansch, Renbourn, Thompson, Cox, McShee) – 2:41 "Jump Baby Jump" (Jansch, Renbourn, Thompson, Cox, McShee) – 3:10 "Lady Of Carlisle" (Traditional arr. Jansch, Renbourn, Thompson, Cox, McShee) – 4:41
Note that "The Snows" is listed as a Pentangle composition but is actually a traditional song, previously recorded by both Archie Fisher and Anne Briggs.
No Love Is Sorrow (Jansch, Renbourn, Thompson, Cox, McShee) – 2:41
just like the songbird deep in the forest i sing praises but you never hear
deep in my body my song is silent yet content at times when you're near
please listen to me and i will tell thee all those words that have never been said
they shout inside of me but then the coward behind a weak man starts ruling my head
i never a loved thee and not one other will know sweetness that lies in my breast
'tis you that made me but have abided me to uncover my heart to the stars
no love is sorrow but now i'm happy to have thee in this world for my love
and now you must know my soul is for thee that's why this life is my sorry love
Afinaciones: D Menor: DADFAD (grandísimo) E Menor: EBEGBE Open G: DGDGBD
Today, 1965 Genial voz en falseto, maravilloso fingerpicking y un piano.
Skip James - Crow Jane
Crow Janie, Crow Janie, Crow Jane Don't you hold your head high Someday baby, you know You got to die You got to lay down an - You got to die, you got to -
You know, I wanna buy me a pistol Wants me forty rounds of ball Shoot Crow Jane, just to see her fall She got to fall, she got to - She got to fall, she got to-
That's the reason I begged, Crow Jane Not to hold her head, so high Someday baby, you know You got to die You got to lay down an -
When I dug her grave With a silver spade Ain't nobody gon' take My Crow Jane place You can't take her place No, you can't take her -
That's the reason I begged, Crow Jane Not to hold her head, too high Someday baby, you know You got to die You got to lay down an -
You know, I let her down With a golden chain
Skip James - Devil Got My Woman
I'd rather be the devil, to be that woman man I'd rather be the devil, to be that woman man Aw, nothin' but the devil, changed my baby's mind Was nothin' but the devil, changed my baby's mind
I laid down last night, laid down last night I laid down last night, tried to take my rest My mind got to ramblin', like a wild geese From the west, from the west
The woman I love, woman that I loved Woman I loved, took her from my best friend But he got lucky, stoled her back again And he got lucky, stoled her back again
Model Specifications MODEL D-15 CONSTRUCTION: Mortise/Tenon Neck Joint BODY SIZE: D-14 Fret TOP: Solid Sapele or Solid Genuine Mahogany ROSETTE: Herringbone Style - Gold & Black TOP BRACING PATTERN: A-Frame ''X'' TOP BRACES: Solid Sitka Spruce 5/16'' BACK MATERIAL: Solid Sapele or Solid Genuine Mahogany BACK PURFLING: none
SIDE MATERIAL: Solid Sapele or Solid Genuine Mahogany ENDPIECE: none ENDPIECE INLAY: none BINDING: none TOP INLAY STYLE: none SIDE INLAY: none BACK INLAY: none NECK MATERIAL: Select Hardwood NECK SHAPE: Modified Low Oval NUT MATERIAL: White Corian
HEADSTOCK: Solid/Square Taper HEADPLATE: Solid East Indian Rosewood HEELCAP: none FINGERBOARD MATERIAL: Solid Morado or Solid East Indian Rosewood SCALE LENGTH: 25.4'' # OF FRETS CLEAR: 14 # OF FRETS TOTAL: 20 FINGERBOARD WIDTH AT NUT: 1-11/16'' FINGERBOARD WIDTH AT 12TH FRET: 2-1/8'' FINGERBOARD POSITION INLAYS: Style 28
FINGERBOARD BINDING: none FINISH BACK & SIDES: Satin FINISH TOP: Satin FINISH NECK: Satin BRIDGE MATERIAL: Solid Morado or Solid East Indian Rosewood BRIDGE STYLE: Belly BRIDGE STRING SPACING: 2-1/8'' SADDLE: 16'' Radius/Compensated/White Tusq TUNING MACHINES: Chrome Enclosed w/ Small Buttons RECOMMENDED STRINGS: Martin Studio Performance Medium Phosphor Bronze (MSP4200) BRIDGE & END PINS: White w/ Black Dots PICKGUARD: Tortoise Color CASE: 345 INTERIOR LABEL: Paper Label ELECTRONICS: Optional OTHER OPTIONS: Available left-handed at no additional charge OTHER COMMENTS: All prices & specifications are subject to change without notice.
Collins D1 Acústica de sonido limpio y brillante. Celta, folk, country, bluegrass
Bill Collings moved from Ohio to Texas in the mid 1970’s. Spurred by a lack of interest in medical school, this move enabled him to combine lifelong interests in both guitars and tools into the challenge of stringed instrument building and repair. After a couple of years in Houston, several guitars and a few banjos later, he headed west to southern California. Making it only as far as Austin, he shared shops with fellow luthiers Tom Ellis and Mike Stevens. From there, he set up his own small shop in a wooden "one car" garage. His reputation for outstanding quality and meticulous attention to detail quickly spread. In 1989, he rented a 1000 square foot space and hired two helper.
Dimensions
Body Length: 20" Body Depth: 4 7/8" Lower Bout Width: 15 5/8" Total Length: 40 1/4" Scale Length: 25 1/2" Standard Nut Width: 1 11/16" Strings
he square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the first to build them, we bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles. The wide range of woods and neck sizes offered allow dreadnought fans to find a Collings model ideally suited to their playing style and tonal preference.
Select Sitka spruce Honduran mahogany back & sides Tortoise-style binding Simple walnut backstrip Pre-war scalloped bracing Black/white wood nitrate strip rosette Tortoise-style pickguard High gloss nitrocellulose lacquer finish Honduran Mahogany Neck Ebony fingerboard and bridge Ebony peghead overlay Mother-of-pearl Collings logo Pearl dot fingerboard markers Fully adjustable truss rod Bone nut and drop-in saddle Ebony bridge pins and end pin Nickel Waverly tuners
Collings D-1A SB Varnish (used – 2007) Like New condition. This is a D-1 to the hilt with a ‘30’s Martin style sunburst, wide grain Adirondack top, figured Mahogany back and sides, tortoise shell style binding, and varnish finish. Ebony peghead overlay with mop Collings logo inlaid and open back nickel plated Waverly tuners, ebony fretboard with dot inlay, *vintage now* neck with 1 ¾” nut, ebony bridge, and dark tortoise shell style pickguard to match the binding. A very powerful guitar with great playability. OHSC List new would be $7,150.00, our price is $5,450
Acústica de Nashville. Thibodaux, Louisiana. Dixie Kitchen (1997) Drag Queens in Limousines (1999) Filth and Fire (2002) Mercy Now (2005) Between Daylight and Dark (2007) Genesis ( 2008) The Foundling, 2010 MARY GAUTHIER.
Para una noche acústica. Maywood, Illinois. John Prine, 1971 Sweet Revenge, 1973 Bruised Orange, 1978 ...The Missing Years, 1991 In Spite of Ourselves, 1999 In person & On Stage, 2010 JOHN PRINE. 2010.
