Mostrando entradas con la etiqueta fender. Mostrar todas las entradas
Mostrando entradas con la etiqueta fender. Mostrar todas las entradas

martes, 9 de noviembre de 2010

THE BOXMASTERS: The Boxmasters, 2008



The Boxmasters
Bellflower, California, United States
Country rock, rockabilly, Mod
2007–present
Vanguard

Great Telecaster Country and Rock and Roll Sound!
Very Good Rockin'.


Members
Michael Wayne Butler
J.D. Andrew
Billy Bob Thornton
Unknown Hinson






The Boxmasters
2008

J.D. Andrew
Billy Bob Thornton
Mike Butler

Disc 1

1 The Poor House Thornton 3:27
2 Build Your Own Prison Fritts, Thornton 3:26
3 I'll Give You a Ring Andrew, Thornton 4:07
4 The Last Place They Would Look Thornton 5:15
5 Shit List Thornton 3:43
6 I'm Watchin' the Game Andrew, Thornton 3:16
7 20 Years Ago Thornton 3:57
8 That Mountain Stuart, Thornton 3:49
9 The Work of Art Thornton 5:00
10 2-Bit Grifter Thornton 1:34
11 The Girl on the Side Andrew, Thornton 2:39
12 No Whiskey in Heaven Andrew, Thornton 2:18



Disc 2

1 She's Lookin' Better by the Minute Helms, Townsley 3:12
2 Some of Shelley's Blues Nesmith 4:00
3 Memories of You and I Clayton 3:20
4 Yesterday's Gone Kidd, Stuart 2:52
5 Knoxville Girl Louvin, Louvin 3:41
6 I Wanna Hold Your Hand Lennon, McCartney 2:57
7 Sawmill Tillis, Whatley 2:38
8 Original Mixed Up Kid Hunter 3:07
9 House at Pooh Corner Loggins 2:14
10 Propinquity (I've Just Begunto Care) Nesmith 2:00
11 The Kids Are Alright Townshend 3:06



The Poor House Thornton 3:27

Reno is sparkling ahead honey i though i'd give you a call
looking for tomato to be sunny in the midst of this snowfall
i let you and the kids down for way too long now
hoping to turn our life around if i can just figure out how


i'm working on a plan
to save our home
keep us out of the poor house
pay off those loans
i'm working on a plan
to save our home
keep us out of the poor house
and i won't do it stoned

i'll sit with the grannies at the nickel machines and pull handles till my hands are blue
i'll do just about anything to bring a future home to you
i'll put down the pills and liquor you know i tried to keep a job
i just think that this'll be quicker if i can win a little of the mob

i'm working on a plan
to save our home
keep us out of the poor house
pay off those loans
i'm working on a plan
to save our home
keep us out of the poor house
now that i'm not stoned


well my plan don't work exactly honey but i do have a little good news
im not bringing home any money but i didn't turn back to booze
i guess its back to the drawing board ideas are starting to brew
i'm bringing back all i can afford and that's love to the kids and you

i'm working on a plan
to save our home
keep us out of the poor house
pay off those loans
i'm working on a plan
to save our home
keep us out of the poor house
and build a house of stone


Ah, Ah, Ah,.......




Members

Billy Bob Thornton (credited as "W.R. Thornton") - drums, vocals
J.D. Andrew - bass, guitar, vocals
Michael Wayne Butler - guitar, lap steel
Unknown Hinson - guitar, vocals

Discography

For albums and songs recorded by Thornton himself.
The Boxmasters (Vanguard, 2008)
Christmas Cheer (Vanguard, 2008)
Modbilly (Vanguard, 2009)
Bellflower (Vanguard, 2011)






Fender Telecaster
Fender American Vintage Series '62 Telecaster Custom Electric Guitar
1.900$


A '60s classic and one of the coolest Teles® ever.
Made at Fender's state-of-the-art facility in Corona, California, the 62 Custom Telecaster Electric Guitar features all the original detailing including body binding, C-shaped neck, 7-1/4" fingerboard radius, hardware, and pickups. Includes brown Tolex case ($189 value).

Fender American Vintage Series '62 Telecaster Custom Electric Guitar Features:
Double-bound alder body
C-shaped maple neck with rosewood fingerboard
Vintage machine heads
21 nickel silver frets
Vintage single-coil pickups with 3-way switching
Vintage 3-saddle bridge
Fender American Vintage Series '62 Telecaster Custom Electric Guitar Includes:

deluxe brown hardshell case, strap, cable, ashtray bridge cover






Fender Vintage Hot Rod '52 Telecaster
1.700$
Luscious custom-shop touches for modern playability and tone!
The Vintage Hot Rod '52 Telecaster takes the best of old and new Fender craftsmanship to create a fantastic guitar built for the serious player! Visually very accurate to the look of a '52 Telecaster, it has a list of sought-after Custom Shop upgrades to make any Tele player drool. It's got a top-of-the-line thin-skin nitrocellulose lacquer finish that ages quickly and beautifully as well as letting the natural tone of the wood shine. The neck has been streamlined for smooth playability with a satin-finish back, 9.5" fingerboard radius, and medium-jumbo frets. The three brass saddles on the vintage-style Tele bridge are compensated to allow for more accurate intonation. And a Seymour Duncan Vintage Mini-Humbucker at the neck and a custom-wound Tele bridge pickup deliver the hot tones called for in modern music.

The rest of its features are true-blue '52 Tele, like the American Vintage model it's based on: a premium ash body, one-piece maple neck with U-shape profile, Fender/Gotoh vintage-style tuners, a one-ply black pickguard, and chrome hardware.

The U.S. Vintage Hot Rod Series from Fender offers new instruments with specs, looks and features that make them feel as if you were the third owner of a vintage instrument. Here's your chance to own that beautiful player's guitar, but in brand new shape and freshly set-up from the Fender factory!

Fender Vintage Hot Rod '52 Telecaster Electric Guitar Features:
Thin-skin nitrocellulose finish
Premium ash body
1-piece maple neck
U-shape profile with satin finish on back
9.5" fingerboard radius
21 medium-jumbo frets
25.5" scale length
Nut width: 1.650"
Chrome hardware
Fender/Gotoh vintage-style tuners
Vintage-style Tele bridge with 3 compensated brass saddles
1-ply black pickguard
Custom Vintage Tele bridge pickup
Seymour Duncan Vintage Mini Humbucker neck pickup
3-position blade pickup selector
Master volume and tone controls
Setup with Fender Super 250R Nickel Plated Steel strings (.010, .013, .017, .026, .036, .046)
Includes Vintage Tweed Case, Strap, Cable, and Meguair's care kit

martes, 21 de septiembre de 2010

TOMMY CASTRO: Live At Fillmore, 2000



TOMMY CASTRO
Blues sin final de blancos.
San José, California, 1955

Similares: Mike Bloomfield, SRV, Eric Clapton, Gary Moore, Jimmie Vaughan, Jeff Healy




Right As Rain
1999




Live at the Fillmore
2000


Right as Rain Castro 5:46
2 Like an Angel Castro, McDonald 5:07
3 Nasty Habits Castro 5:18
4 My Time After Awhile Badger, Feinberg, Geddins 7:48
5 Lucky in Love Castro, Lewis 5:07
6 I Got to Change Castro, Matthews 3:16
7 Can't You See What You're Doing to Me King 5:38
8 Just a Man Castro 6:10
9 Keep a Good Man Down Castro 6:45
10 The Girl Can't Help It Troup 3:38
11 Get Up (I Feel Like Being A) Sex Machine Brown, Byrd, Lenhoff 10:22

miércoles, 4 de agosto de 2010

T-BONE WALKER, Imperial Recordings 1950-54



Aaron Thibeault Walker 'T-BONE WALKER'
Linden, Texas, 1910
Los Angeles, California, 1975

Pionero de la guitarra eléctrica. El primer solista eléctrico de blues.
Una figura fundamental en la evolución del blues hacia el rock and roll. Chuck Berry o BB King quedaron enganchados a las escalas y acordes de jazz blues del texano.
Fundador del blues de Texas en los años 30.
El origen del paso del pato.



Complete Capitol Black and White Recordings
3 Cds.
Años 40.




The Complete 1950-1954 Imperial Recordings
52 temas.




Gibson ES-250
The ES-250 first appeared in the 1940 Gibson AA catalog with the slogan: "Gibson has created the best electric guitar possible to make." This top-of-the-line instrument was an upgraded version of the popular ES-150. It had significant refinements which distinguished it from the earlier mid-range model. These included a larger body, a more deluxe fingerboard, headstock, tuners and tailpiece, and a bar pickup with individual mini-blades acting as separate polepieces for each string--for "maximum tonal reproduction."





Gibson ES-5 Switchmaster
Desde 1949


The ES-5 combines the acclaimed features of the L-5 with the finest method of electronic guitar amplification. Three separately controlled, adjustable magnetic pickups reproduce the full, rich tones and harmonics to make the ES-5 truly ‘the instrument of a thousand voices.'" — Gibson catalog, circa 1951

The Gibson ES-5 Switchmaster was truly a guitar ahead of its time. First introduced in 1949, the ES-5 Switchmaster was the first ES guitar to be fitted with three pickups, and was initially intended solely for jazz players. It was dubbed the “supreme electronic version” of Gibson’s L-5 and offered a unique four-knob control circuitry that allowed players to manage pickup selection by adjusting the volume of each pickup, thus eliminating the pickup selector switch. Yet despite its pioneering circuitry and three-pickup layout, the ES-5 Switchmaster was not immediately embraced by jazz players while competing guitar manufacturers rushed to introduce their own similar models, including the Epiphone Zephyr Emperor of the early 1950s and the Fender Stratocaster in 1954.





Gibson Barney Kessell model





Fender Tweed 4x100 Bassman

The ’50s Fender Bassman was the pro bassist’s answer to amplifying a great new invention: the Fender Precision Bass® guitar. This powerful 50-watt rig could easily compete with the common instrumentation of the day: horns, piano, four-piece drum kit with calfskin heads, and maybe even an electric guitar through a nice, new 10-watt amp! By the ’60s and ’70s, the original all-tube “Tweed” 4x10 Bassman was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. Even some emerging British amp designers of the day copied its circuitry for use in their most celebrated designs.

In the 1990s, Fender released an affordable reissue of the now-collectible ’59 Bassman amplifier to massive acclaim. Many guitarists, tired of experimenting with preamps, equalizers, and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. The Bassman’s wide stage coverage, touch-sensitive dynamics and full-frequency “swirl” make it the perfect vehicle for building a great tone with almost any guitar or effect. The reissue Bassman continues to be a staple of the Fender guitar amp line to this day.




Gibson EH-150




Gibson EH-150
Galería de amplificadores anteriores a la Guerra Mundial.



Frases:

'When I heard T-Bone Walker play the electric guitar I had to have one. He had a touch that nobody has been able to duplicate."--B.B. King

"All the things people see me do on the stage I got from T-Bone Walker." --Chuck Berry

"When T-Bone Walker came, I was into that. That was the sound I was looking for." --Albert King

"No one else can touch T-Bone in the blues on guitar."--Jimmy Witherspoon

"He was the first man that made the electric guitar popular."--John Lee Hooker

viernes, 23 de julio de 2010

Amps: FENDER 65 SUPER REVERB

FENDER 65 SUPER REVERB




Frontal




Válvulas.

Fender 65 Super Reverb Combo Amp Features:

All-tube 45W @ 2 ohms
4 x 10" Jenson speakers
2 footswitchable channels
Reverb and vibrato






Panel frontal




Tripas.

The Fender '65 Super Reverb Combo Amp is a long overdue addition to Fender's Vintage Reissue series. Here's a faithful re-creation of the legendary and highly collectible Blackface Super Reverb from the 1960s. This 45W, all-tube combo with 4 x 10" Jensen speakers, tube reverb, and vibrato has long been considered one of the best amps to "crank up" for unmiked club gigs or on the concert stage. The all-time bluesy, funky rocker! Includes 2-button footswitch.



$1,499.99
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