WEEZER: Blue Album, 1994

WEEZER
LA, California
1993





Weezer (Blue Album)

Released May 10, 1994
Recorded August–September 1993 at Electric Lady Studios, New York City
Genre Alternative rock
Power pop
Length 41:17
Label DGC

Rivers Cuomo – vocals, guitar, keyboards, harmonica
Patrick Wilson – drums
Brian Bell – guitar*, backing vocals
Matt Sharp – bass, backing vocals
Ric Ocasek – producer
Chris Shaw - engineer

* Rivers Cuomo stated that he played both lead and rhythm guitar on the Blue Album after former guitarist Jason Cropper left the band, but did say that Brian did background vocals on the album. Brian Bell says that he in fact does play rhythm guitar.
[edit]





1 My Name Is Jonas Cropper, Cuomo, Wilson 3:23
2 No One Else Cuomo 3:14
3 The World Has Turned and Left Me Here Cuomo, Wilson 4:26
4 Buddy Holly Cuomo 2:40
5 Undone -- The Sweater Song Cuomo 2:55
6 Surf Wax America Cuomo, Wilson 3:04
7 Say It Ain't So Cuomo 4:18
8 In the Garage Cuomo 3:56
9 Holiday Cuomo 3:26
10 Only in Dreams Cuomo 8:03


Weezer Undone-the Sweater Song Lyrics
Cuomo
Intro

{Next few lines mumbled in back-ground}
Hey Bob! How we doin man?
All right...
Its been a while man, this place is so rad...
This band's my favorite man, don'tcha love um?
Yeah...
Oh man, you wanna beer?
All right...
Aw man, hell bro, this is the best man,
I'm so glad we're all back together and stuff. This is great man.
Yeah...
Hey you know about that party after the show?
Yeah.
Aw man, it's gunna be the best... I'm so stoned. Take it easy bro!
Verse 1

{begin song}
I'm me,
Me be,
God damn,
I am,
I can sing and,
Hear me,
Know me...
If you want to destroy my sweater, pull this thread as I walk away.
Interlude

{more mumbling}
Hey what's up?
Not much...
Um, did you hear about the party?
Yeah...
I think I'm gunna go, but my friends don't wanna go.
Can I get a ride?
Verse 2

{Back to the song}
Oh no,
It go,
It gone,
Bye-bye [bye],
Do I,
I think,
I sink,
And I DIE!
Chorus

If you want to destroy my sweater. Woah woah a woah.
{Hold/Pull} this thread as I walk away. As I walk away!
Watch me unravel, I'll soon be naked.
Lying on the floor, Lying on the floor! I've come undone.
Guitar solo

Chorus

If you want to destroy my sweater. Woah woah a woah.
{Hold/Pull} this thread as I walk away. As I walk away!
Watch me unravel, I'll soon be naked.
Lying on the floor, Lying on the floor! I've come undone.
Chorus

{I don't/If you} want to destroy {your tanktop/my sweater}.
{Let's be friends and just/Pull this thread as I} walk away.
{Hate to see you lying there in your Superman skivvies/Watch me unravel I'll soon be naked}.
Lying in the floor! Lying on the floor! I've come undone!!


Similares: Pixies, Stone Temple Pilots, Pavement, The Bloodhound Gang, Urge Overkill, The Blondes, Green Day

BRIAN WILSON: Reimagines Gershwin, 2010

Brian Wilson
Hawthorne, California
1942
Fun, Fun, Fun!



The Beach Boys
Pet Sounds
1966

1 Wouldn't It Be Nice Asher, Love, Wilson 2:25
2 You Still Believe In Me Asher, Wilson 2:34
3 That's Not Me Asher, Wilson 2:30
4 Don't Talk (Put Your Head on My Shoulder) Asher, Wilson 2:54
5 I'm Waiting for the Day Love, Wilson 3:06
6 Let's Go Away for Awhile Wilson 2:21
7 Sloop John B Traditional 3:00
8 God Only Knows Asher, Wilson 2:53
9 I Know There's an Answer Love, Sachen, Wilson 3:11
10 Here Today Asher, Wilson 2:55
11 I Just Wasn't Made for These Times Asher, Wilson 3:15
12 Pet Sounds Wilson 2:23
13 Caroline No Asher, Wilson 2:52

Released May 16, 1966
Recorded July 12, 1965; November 1, 1965 – April 13, 1966 at Western Studios, Gold Star Studios and Sunset Sound Studios
Genre Surf rock, Psychedelic rock,Psychedelic pop, Baroque pop, Pop rock
Length 35:58
Label Capitol
Producer Brian Wilson


The Beach Boys
Al Jardine – vocals, tambourine
Bruce Johnston – vocals
Mike Love – vocals
Brian Wilson – vocals, organ, piano
Carl Wilson – vocals, guitar
Dennis Wilson – vocals, drums






Smile
2004

1 Our Prayer/Gee Davis, Levy, Wilson 2:09
2 Heroes and Villains Parks, Wilson 4:52
3 Roll Plymouth Rock Parks, Wilson 3:48
4 Barnyard Parks, Wilson :58
5 Old Master Painter/You Are My Sunshine Davis, Gillespie, Smith 1:03
6 Cabin Essence Parks, Wilson 3:29
7 Wonderful Parks, Wilson 2:06
8 Song for Children Parks, Wilson 2:16
9 Child Is Father of the Man Parks, Wilson 2:17
10 Surf's Up Parks, Wilson 4:08
11 I'm in Great Shape/I Wanna Be Around/Workshop Mercer, Parks, Vimmerstadt ... 1:56
12 Vega-Tables Parks, Wilson 2:19
13 On a Holiday Parks, Wilson 2:36
14 Wind Chimes Parks, Wilson 2:53
15 Mrs. O'Leary's Cow Wilson 2:27
16 In Blue Hawaii Parks, Wilson 2:59
17 Good Vibrations Asher, Love, Wilson 4:36


Released 28 September 2004
Recorded 13–17 April 2004
Overdubs: May–June, 2004
Genre Baroque pop, psychedelic pop, psychedelic rock, pop rock
Length 46:59
Label Nonesuch
Producer Brian Wilson


Brian Wilson Band

Scott Bennett – vocals, keyboards, mallets, guitar
Nelson Bragg – vocals, percussion, whistles, celery
Jeffrey Foskett – vocals, guitar, hammer
Probyn Gregory – vocals, guitar, brass, tannerin, whistles
Jim Hines – drums, mallets, saw, sound fx
Bob Lizik – bass guitar, guitar, beret
Paul Mertens – woodwinds, sax, harmonica, semi-conductor
Taylor Mills – vocals, power drill, leg-slap
Darian Sahanaja – vocals, keyboards, mallets, drill
Nick Walusko – vocals, guitar

And The Stockholm Strings 'n' Horns






Reimagines Gershwin
2010

Released August 17, 2010
Recorded 2010
Genre Pop, R&B, Traditional pop
Length 39:04
Label Disney Pearl Series
Producer Brian Wilson


1 Rhapsody in Blue (Intro) Gershwin 1:07
2 The Like in I Love You Gershwin 3:20
3 Summertime Gershwin, Gershwin, Heyward ... 3:13
4 I Loves You Porgy Gershwin, Gershwin, Heyward ... 3:37
5 I Got Plenty O' Nuttin' Gershwin, Gershwin, Heyward ... 2:44
6 It Ain't Necessarily So Gershwin, Gershwin, Heyward ... 3:57
7 'S Wonderful Gershwin, Gershwin 2:48
8 They Can't Take That Away from Me Gershwin, Gershwin 2:50
9 Love Is Here to Stay Gershwin, Gershwin 2:58
10 I've Got a Crush on You Gershwin, Gershwin 2:41
11 I Got Rhythm Gershwin, Gershwin 2:42
12 Someone to Watch Over Me Gershwin, Gershwin 3:06
13 Nothing But Love Gershwin 3:24
14 Rhapsody in Blue (Reprise) Gershwin :37

TOMMY CASTRO: Live At Fillmore, 2000

TOMMY CASTRO
Blues sin final de blancos.
San José, California, 1955

Similares: Mike Bloomfield, SRV, Eric Clapton, Gary Moore, Jimmie Vaughan, Jeff Healy




Right As Rain
1999




Live at the Fillmore
2000


Right as Rain Castro 5:46
2 Like an Angel Castro, McDonald 5:07
3 Nasty Habits Castro 5:18
4 My Time After Awhile Badger, Feinberg, Geddins 7:48
5 Lucky in Love Castro, Lewis 5:07
6 I Got to Change Castro, Matthews 3:16
7 Can't You See What You're Doing to Me King 5:38
8 Just a Man Castro 6:10
9 Keep a Good Man Down Castro 6:45
10 The Girl Can't Help It Troup 3:38
11 Get Up (I Feel Like Being A) Sex Machine Brown, Byrd, Lenhoff 10:22

ROY ORBISON: The Last Concert, 2010

ROY ORBISON
Vernon, Texas, 1936
Madison, Tennessee, 1988
Tres octavas en la voz.




Oh Pretty Woman
1964





The Fastest Guitar Alive
1967 MGM



Director: Michael D. Moore
Producer: Sam Katzman
Screenplay: Robert E. Kent
Cinematography: W. Wallace Kelley
Film editing: Ben Lewis
Music: Roy Orbison, Bill Dees, Fred Karger




The Last Concert: December 4, 1988
2010

1 Only the Lonely 4:32
2 Leah 3:16
3 Dream Baby 2:56
4 In Dreams 3:28
5 Mean Woman Blues 3:17
6 Blue Bayou 3:27
7 Candyman 3:45
8 Crying 5:43
9 Ooby Dooby 5:57
10 Go, Go, Go (Down the Line) 5:52
11 It's Over 3:29
12 Working for the Man 1:50
13 Lana 2:48
14 Oh, Pretty Woman

"The Big O" as Roy Orbison became universally known, was one of the most distinctive singers and songwriters of the Rock 'n' Roll era. Starting his career in the late fifties, he really hit the big time at the start of the sixties when a string of wonderful hit singles brought him fame on a worldwide basis. After a quiet period in the seventies he made a comeback in the eighties both as a solo artist and later as a member of the Traveling Wilburys. This live recording, released now for the first time, comes from a concert at the Front Row Theater in Cleveland on December 4th 1988, just two days before his sudden death from a heart attack on December 6th at the age of only 52. Orbison is in fine form delivering many of his best loved songs in his own unique style and with no indication of the tragedy to come. It is a fitting tribute to a truly great artist.




Gibson Roy Orbison ES-335 Reissue
70 unidades en 2006


Only The Lonely
Roy Orbison y Joe Melson
1960


Dum-dum-dum-dumdy-doo-wah
Ooh-yay-yay-yay-yeah
Oh-oh-oh-oh-wah
Only the lonely

Only the lonely (dum-dum-dum-dumdy-doo-wah)
Know the way I feel tonight (ooh-yay-yay-yay-yeah)
Only the lonely (dum-dum-dum-dumdy-doo-wah)
Know this feelin’ ain’t right (dum-dum-dum-dumdy-doo-wah)

There goes my baby
There goes my heart
They’re gone forever
So far apart

But only the lonely
Know why
I cry
Only the lonely

Dum-dum-dum-dumdy-doo-wah
Ooh-yay-yay-yay-yeah
Oh-oh-oh-oh-wah
Only the lonely

Only the lonely
Know the heartaches I’ve been through
Only the lonely
Know I cried and cried for you

Maybe tomorrow
A new romance
No more sorrow
But that’s the chance - you gotta take
If your lonely heart breaks
Only the lonely

Dum-dum-dum-dumdy-doo-wah

MAVIS STAPLES: You Are Not Alone, 2010

Mavis Staples
Chicago, Illinois, 1939
Stax69


Similares: Aretha Franklin, Patti LaBelle, Sam Cooke, Curtis Mayfield, Neko Case



Only for the Lonely
1970
11+3 temazos de soul.



You Are Not Alone
2010
Con Jeff Tweedy, que además es el productor.

Versiones de Randy Newman, Allen Toussaint, Rev. Gary Davis, John Fogerty...


1 Don't Knock Staples 2:30
2 You Are Not Alone Tweedy 3:57
3 Downward Road Staples 3:08
4 In Christ There Is No East or West Traditional 3:35
5 Creep Along Moses Traditional 2:57
6 Losing You Newman 2:51
7 I Belong to the Band Davis 3:30
8 Last Train Toussaint 4:29
9 Only the Lord Knows Tweedy 3:43
10 Wrote a Song for Everyone Fogerty 3:47
11 We're Gonna Make It Barge, Davis, Miner, Smith 3:27
12 Wonderful Savior Traditional 2:04
13 Too Close/On My Way to Heaven Bradford, Staples 5:09

TAME IMPALA: Innerspeaker 2010

Tame Impala
Perth, Äustralia
Desde 1999.
Neo psicodelia.
Fuzz, fuzz, fuzz.
Wah, Wah, wah.



Innerspeaker
2010

KAY MUSICAL INSTRUMENTS, 1931-1968

Kay Musical Instruments Company
EEUU
1931-1968
Guitarras art decó.
En los centros comerciales de la época.
Baratas.

OLD KRAFTSMAN
SHERWOOD
AIRLINE
SILVERTON
GOLD K LINE



Silvertone 612, de 1962

Introduced:
Fall/Winter 1962 at $21.95
as the 57H612L

Retired:
Spring/Summer 1963 at $21.95
as the 57A612L

Hoy toqué una Silvertone H-12, parecida a la de la foto superior (Silvertone 612, de 1962)
Made in USA.
Guitarra de jazz.
No le enchufé la pastilla.
Muy ligera.
Sin enchufar no tiene acústica.
Con la pastilla debe sonar a rayos.
No me la compré porque piden una pastón (y no lo vale).



MARCAS DE KAY



Old Kraftsman
1960
600$




Sherwood Standard Archtop Guitar
1960
Estimate $100 - $200
Starting Bid $50




Airline




Silvertone Kentucky Blue
1955
Kay Musical Instrument Company
Introduced:
Fall/Winter 1955 at $18.95
as the 57D0653L



Retired:
Fall/Winter 1962 at $24.95
as the 57H0653L




Gold K-Line
1957-1960
Jazz.




Kamico
La marca más baja.
40'




GUITARRISTAS
Jimmy Reed, Big Joe Williams, Ry Cooder, Phil Alvin, Howlin' Wolfe



Aquí, encontré UNA FIESTA.

JIMI HENDRIX: Cuadragésimo aniversario, 1970-2010

Hendrix, fan de Billy Gibbons (The Moving Sidewalks, ZZTOP). Gibbons, segundo por la derecha.
En 1968 dijo en televisión que era su guitarrista preferido.


Johnny Allen Hendrix
JIMI HENDRIX
Seattle, 1942-Londres, 1970
Guitarrista, cantante y compositor

SUS JOYAS



Are you Experience
RU: Mayo, 1967
EEUU: Agosto, 1967
El album que conmocionó el planeta.
Psicodelia y fusión de los recursos del folk, el rock, el pop y el soul.
Y buenas letras, poético.

Jimi Hendrix
Noel Redding, bajo
Mitch Mitchell, batería
Olympic Studios/CBS Studios/De Lane Lea
Londres, Inglaterra
Chas Chandler, producción




United Kingdom & international editions
Side one:
1."Foxy Lady" – 3:22
2."Manic Depression" – 3:46
3."Red House" – 3:53
4."Can You See Me" – 2:35
5."Love or Confusion" – 3:17
6."I Don't Live Today" – 3:58

Side two:

7."May This Be Love" – 3:14
8."Fire" – 2:47
9."Third Stone from the Sun" – 6:50
10."Remember" – 2:53
11."Are You Experienced?" – 4:17

North American edition
Side one:

1."Purple Haze" – 2:46
2."Manic Depression" – 3:46
3."Hey Joe" – 3:23
4."Love or Confusion" – 3:15
5."May This Be Love" – 3:14
6."I Don't Live Today" – 3:55
Side two:

7."The Wind Cries Mary" – 3:21
8."Fire" – 2:34
9."3rd Stone from the Sun" – 6:40
10."Foxey Lady" – 3:15
11."Are You Experienced?" – 3:55





Axis as Love
RU: Diciembre, 1967
EEUU: Enero, 1968

Mejores composiciones y letras.
Espacial.

Jimi Hendrix
Noel Redding, bajo
Mitch Mitchell, batería
Olympic Studios, London, England.
Chas Chandler, producción

Side one
No. Title Length
1. "EXP"
2. "Up from the Skies"
3. "Spanish Castle Magic"
4. "Wait Until Tomorrow"
5. "Ain't No Telling"
6. "Little Wing"
7. "If 6 Was 9"

Side two
No. Title Length
8. "You Got Me Floatin'"
9. "Castles Made of Sand"
10. "She's So Fine" (Noel Redding)
11. "One Rainy Wish"
12. "Little Miss Lover"
13. "Bold as Love"



Electric Ladyland
RU: Octubre, 1968
EEUU: Septiembre, 1968

Rompiendo los límites del funk y la psicodelia.
Uno de los mejores discos de la historia del rock.

Jimi Hendrix
Noel Redding, bajo
Mitch Mitchell, batería
Olympic Studios, UK/London & Record Plant Studios, NY
Jimi Hendrix, productor.




1. "...And the Gods Made Love"
2. "Have You Ever Been (To Electric Ladyland)"
3. "Crosstown Traffic"
4. "Voodoo Chile"

Side two
5. "Little Miss Strange" Noel Redding
6. "Long Hot Summer Night"
7. "Come On (Let the Good Times Roll)" Earl King
8. "Gypsy Eyes"
9. "Burning of the Midnight Lamp"

Side three

10. "Rainy Day, Dream Away"
11. "1983... (A Merman I Should Turn to Be)"
12. "Moon, Turn the Tides...Gently Gently Away" (instrumental)

Side four

13. "Still Raining, Still Dreaming"
14. "House Burning Down"
15. "All Along the Watchtower" Bob Dylan
16. "Voodoo Child (Slight Return)"


LAS CLAVES

'I want to do with my guitar what Little Richard does with his voice'.
Hendrix, 1966

1. Confianza y conocimiento del instrumento: Durante largos años, fue un desconocido guitarrista de estudio y de directo. Aprendió de grandes estrellas del universo musical de los cincuenta y sesenta.

2. En directo, no sólo tocar es el espectáculo: provoca a la audiencia, quema el instrumento, lo toca puesto en la espalda o engaña al público representando que toca con los dientes.

3. No se limita en las escalas clásicas: toma la novena aumentada, la novena mayor y las sextas de los artistas de jazz y las mezcla con la escala de blues pentatónica.

4. Nunca utiliza el dedo índice para poner la cejilla: prefiere utilizar el dedo pulgar por encima de la cuerda, lo que permite hacer los bajos con éste y jugar con cuerdas al aire.

5. Nunca rasgea un acorde: siempre toca las notas, evitando la tercera del acorde para dar ambigüedad al modo.

6. Mezcla ritmo y melodía al mismo tiempo: adorna los acordes con ligados ascendentes (hammer on) y descendentes (pull-off). Impresionante conjunción de la voz con la ejecución guitarrística. Gran control de la respiración.

7. La nota tiene que vibrar: la barra de vibrato de la Stratocaster y los ajustes de volúmen y pastillas le quedaban en la parte superior de la guitarra (al ser zurdo y utilizar una guitarra de diestro dada la vuelta y con las cuerdas cambiadas) y jugaba con ellos sin descanso.

8. Expresividad salvaje: a través del estiramiento de la cuerda hacia arriba, generalmente con el tercer dedo de la mano (bends). Podía hacerlos sobre una cuerda o sobre varias al mismo tiempo.
Otros recursos que utilizaba son los armónicos naturales o los trinos (ligados con cuerdas al aire).

9. Juego e investigación de los efectos de las últimas innovaciones tecnológicas de la época: pedales de distorsión (Fuzz Face), de wah-wah (Cry Baby) o modulación (Octavia).

10. Maestro de la fusión y el uso de influencias opuestas: podía hacer una entrada como John Lee Hocker, a continuación añadir un acorde de Folk y después entrar con una escala de Jazz.


11. Nunca se repetía en directo: un auténtico improvisador, libre sobre una ola de feedback. Nunca tenía que recordar las notas porque siempre las cambiaba sobre la marcha.

12. Diversión: Jimi buscaba pasárselo bien por encima de todo. Como todo en él, un exceso.


CROSSTOWN TRAFFIC
Jimi Hendrix

You jump in front of my car when you,
You know all the time that
Ninety miles an hour, girl, is the speed I drive
You tell me it's alright, you don't mind a little pain
You say you just want me to take you for a ride

You're just like crosstown traffic
So hard to get through to you
Crosstown traffic
I don't need to run over you
Crosstown traffic
All you do is slow me down
And I'm tryin' to get on the other side of town

I'm not the only soul who's accused of hit and run
Tire tracks all across your back
I can see you had your fun
But darlin' can't you see my signals turn from green to red
And with you I can see a traffic jam straight up ahead

You're just like crosstown traffic
So hard to get through to you
Crosstown traffic
I don't need to run over you
Crosstown traffic
All you do is slow me down
And I got better things on the other side of town

SING OUT!: The Folk Magazine

Sing Out!
The Folk Magazine
EEUU
Desde 1950
60 años.
78$/año




Magazine Dimensions & Info:
•Trim Size: 7.75 inches wide x 10 inches high
•Live Page: 6.75 inches wide x 8.875 inches high
•Format: Three-column pages.
•Printing: Web Offset.
•Binding: Perfect bound.
•Pages: 168 (average)


“One little issue of Sing Out! is worth more to humanity than any thousand tons of dreamy dopey junk dished out from the trees of our forests along every Broadway in this world. I don’t know of any magazine, big or little, that comes within a thousand million miles of Sing Out! when it comes to doing good around the world.” — Woody Guthrie, NYC, 1951

BLUES MUSIC AWARD 2010: Tommy Castro

2010 Blues Music Award Winners:
The Blues Foundation

Acoustic Album of the Year
David Maxwell & Louisiana Red – You Got to Move

Acoustic Artist of the Year
Louisiana Red

Album of the Year
Joe Louis Walker
Between a Rock and the Blues




B.B. King Entertainer of the Year
Tommy Castro (foto)

Band of the Year
Tommy Castro Band

Best New Artist Debut
Monkey Junk
Tiger in your Tank

Contemporary Blues Album of the Year
Tommy Castro
Hard Believer

Contemporary Blues Female Artist of the Year
Ruthie Foster

Contemporary Blues Male Artist of the Year
Tommy Castro

DVD
Delmark Records
It Ain’t Over! Delmark Celebrates 55 Years of Blues, Live at Buddy Guy’s Legends

Historical Album of the Year
Chess - Authorized Bootleg (Muddy Waters)

Instrumentalist-Bass
Bob Stroger

Instrumentalist-Drums
Cedric Burnside

Instrumentalist-Guitar
Derek Trucks

Instrumentalist-Harmonica
Jason Ricci

Instrumentalist-Horn
Deanna Bogart

Instrumentalist-Other
Buckwheat Zydeco (accordion)

Pinetop Perkins Piano Player
Eden Brent

Rock Blues Album of the Year
Derek Trucks Band
Already Free

Song of the Year
Cyril Neville & Mike Zito
‘Pearl River’ (Pearl River–Mike Zito)

Soul Blues Album of the Year
Johnny Rawls
Ace Of Spades

Soul Blues Female Artist of the Year
Irma Thomas

Soul Blues Male Artist of the Year
Curtis Salgado

Traditional Blues Album of the Year
Super Chikan
Chikadelic

Traditional Blues Female Artist of the Year
Debbie Davies

Traditional Blues Male Artist of the Year
Duke Robillard

THE JIM JONES REVUE: Burning Your House Down, 2010

The Jim Jones Revue
Londres, Reino Unido
James Jones (líder de Thee Hypnotics, 1989-94, y Black Moses, 2000)




Burning Your House Down
2010
Rock and Roll a cañonazos.
Literal, revientan la casa.
Pelos, ¡para qué os quiero!

THE BLACK CROWES: Croweology, 2010

The Black Crowes
Atlanta, Georgia
Celebrando su vigésimo aniversario.



CROWEOLOGY
2010
Generosos y en formato acústico.
Sus 20 mejores balas.
Sonidazo Sunset Sound, Los Ángeles.
¡Ahora son mejores!


The Black Crowes
Christopher Robinson – vocals, harp, guitars
Richard Robinson – guitars, vocals
Steve Gorman – drums
Sven Pipien – bass, vocals
Luther Dickinson – guitars, mandolin, banjo
Adam MacDougall – keyboards, vocals



Disc 1
"Jealous Again"
"Share the Ride"
"Remedy"
"Non-Fiction"
"Hotel Illness"
"Soul Singing"
"Ballad in Urgency"
"Wiser Time"
"Cold Boy Smile"
"Under a Mountain"

Disc 2
"She Talks to Angels"
"Morning Song"
"Downtown Money Waster"
"Good Friday"
"Thorn In My Pride"
"Welcome to the Good Times"
"Girl from a Pawnshop"
"Sister Luck"
"She"
"Bad Luck Blue Eyes Goodbye"

Bonus tracks
"Boomer's Story"
"Willin'"


The Black Crowes
REMEDY

Baby, baby why can't you sit still?
Who killed that bird out on you window sill?
Are you the reason that he broke his back?
Did I see you laugh about that?
If I come on like a dream?
Would you let me show you what I mean?
If you let me come on inside?
Will you let it glide?

Can I have some remedy?
Remedy for me please.
Cause if I had some remedy
I'd take enough to please me.

Baby, baby why did you dye your hair?
Why you always keeping with your mother's dare?
Baby why's who's who, who know you too?
Did the other children scold on you?
If I come on like a dream?
Would you let me show you what I mean?
If you let me come on inside?
Will you let it slide?

CHUCK BERRY: Toronto 1969

Super paso de pato.
On remarque l'élasticité de la jeunesse. Une forme de souplesse digne du roseau penchant-pensant loin de la résistance psycho-rigide et teigneuse du vieux chêne. Cependant que la jeunesse blonde s'amuse, de vieux noirs transpirent !
N'est-ce pas le bonheur ?

BOB DYLAN: The Freewheelin’ , 1963

Bob Dylan
Robert Allen Zimmerman
1941, Duluth, Minesota


SUS JOYAS:



The Freewheelin’
1963
El segundo trabajo de Dylan le catapultó como compositor y letrista. Temas como ‘Blowin’ in the Wind’, ‘Masters of Wars’ o ‘A Hard Rain´s A-Gonna Fall’ provocaron un seísmo cultural en todo el mundo.




Another Side of Bob Dylan
1964
Una de sus mejores grabaciones folk.




Bringing It All Back Home
1965
Reescribiendo las reglas del rock.




Highway 61 Revised
1965
Llegó el Rock and Roll salvaje, Like a Rolling Stone.





Blonde on Blonde
1966
Blues, country, folk y rock con estilo, denso y profundo.
Culminación del periodo dedicado al Rock and Roll.




John Wesley Harding
1967
Vuelta al country calmado.
Emblema del country rock.




Nashville Skyline
1969
Un clásico de country rock.
Un bombazo en la escena pop.




Blood on the Tracks
1975
Regreso al pasado acústico y tranquilo.
Bueno entre los buenos.






The Basement Tapes
1975
Superbanda en el estudio, The Band.
Americana. Grande.


EL PEOR DISCO



Dylan
1973
9 versiones que habían quedado fuera de otros trabajos.
No lo quería ni él.


SUS GUITARRAS



Martin 1949 00-17
La compró en 1959.
Su primera guitarra.

Precio 1946-1960
Excellent $1,600 - 2,000
Average $1,100 - 1,350



Gibson J-50
Su segunda guitarra. La perdió en 1963.
Fabricada desde 1945, hasta hoy.




Gibson J-50, hermana de la J-45
Vintage Price Value For 2009 :
1945 - 1949 > $4900 to $6900 ( round shoulders )
1950 - 1957 > $4100 to $5300
1958 - 1962 > $3500 to $4200
1963 - 1969 > $2500 to $3400
1969 - 1970 > $2000 to $2400 ( Square Shoulders )
1971 - 1974 > $1200 to $1800
1975 - 1999 > $1000 to $1300




The Gibson Nick Lucas Special
Su guitarra principal en directo (1963-66)
Se fabricó entre 1928 y 1938.
Muy pequeña y cómoda, hermana mayor de la L-0 y L-1 de 1926.
Nick Lucas fue un guitarrista de jazz de los años 20.




Fender King (Kingman)
Acústica de Fender, 1963
Le dio poco uso.

Vintage Price Value For 2008 :
1928 - 1938 > $8 500 to $12 000 ( Nick Lucas special )
1991 - 1992 > $1 600 to $2 100 ( Reissue limited edition )
1999 - 1999 > $1 800 to $2 200 ( Nick Lucas Reissue )



Otras acústicas:
Martin 0-18
Martin Triple-0 18
Martin D-28
Martin 00-21
Martin HD-28
Gibson J-200

Eléctrica:
Fender Stratocaster



AFINACIONES
En esto es un maestro.
Además, juega con el Capo en el primer, segundo, tercero, cuarto o quinto traste.
Y a veces, sube o baja medio, uno o tono la afinación estándar.

Open E (muy utilizado): E-B-E-E-B-E
OPEN E: E-B-E-G#-B-E (estilo Robert Johnson)
Open D: D-A-D-F#-A-D
Drop D: D-A-D-G-B-E
Open G: D-G-D-G-B-D.
Drop C con capo en el cuarto traste: C-A-D-G-B-E (It's All Over Now, Baby Blue)



Similares: The Rolling Stones, Bruce Springsteen, Tom Petty, Ian Hunter, Paul Simon, The Birds, Judy Collins, The Band, Beck, Travis, Bill Callahan.

FREE: Tons of Sobs, 1968

Free
Londres, 1968-1973
Hard Rock británico.




Tons of Sobs
1968
Guitarra: Paul Kossoff (Gibson Les Paul, muerto por sobredosis en 1976)
Cantante: Paul Rodgers (Bad Company)
Bajo: Andy Fraser
Batería: Simon Kirke
Piano: Steve Miller



Paul Kossoff, gigante guitarrista de blues rock.


Similares: Humble Pie, Jeff Beck, Grand Funk Railroad, Led Zeppelin, Steppenwolfe, Electric Flag, Ten Years After, AC/DC, Dio.